Fashion Ideas - Urban - Winning Fashion - Fashion Designer
Fashion Rule - Modern Fashion - Fashion Trend - Selling Fashion
Draw 500 Fabulous Fashions
A new fun format for Quarry's best-selling 20 Ways to Draw a Cat and 44 Other Awesome Animals, this cute chunky volume features 500 inspirational illustrations in a perfect small size for drawing on the go! From cats, songbirds, and elephants to rabbits, rhinos, and hedgehogs, Draw 500 Awesome Animals is perfect for illustrators, cartoonists, doodlers, and anyone who loves to sketch.`
This is not a step-by-step technique book--rather, the animals in this volume are simplified, modernized and reduced to the most basic elements, offering simple abstract shapes and forms that meld to create the building blocks of any item (man-made or organic) that you want to draw. This all-in-one pocket-sized sketchbook lets you draw right on the pages making it easy to keep all of your most inspired creations at hand.
About the Author
Julia Kuo splits her time between Cleveland, OH, and Taipei. She grew up in Los Angeles, CA, and attended Washington University in St. Louis for illustration and marketing. Julia illustrates children's books, concert posters and CD covers, designs stationery and journals, and paints in her free time. `
One recent gallery show featured paintings of street fashion shots from Face Hunter. Julia's clients include American Greetings, the New York Times, the Home Shopping Network, Little Brown and Co., Capitol Records, Tiny Prints, and Universal Music Group. Her illustrations have been honored in American Illustration, CMYK magazine, and Creative Quarterly.
Fashion Designers A-z
From Azzedine AlaÃ¯a, CristÃ³bal Balenciaga, and Coco Chanel, to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a centuryâ€™s worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology are celebrated in this limitededition volume. Photographs of over 500 garments selected from the Museumâ€™s permanent collection illuminate each of the featured designers, while texts by the curators explain why each designer is important in fashion history and what is special about the individual pieces featured.
In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon; and both Steele and contributor Suzy Menkes provide a history of this museumâ€™s role in the world of fashion scholarship and preservation.
Fashion Designers Aâ€“Z is available as a series of six Designer Editions. Each edition (a total of 11,000 copies) is bound in a fabric created by one of six designers Akris, Etro, Stella McCartney, Missoni, Prada, and Diane von Furstenberg and comes in a Plexiglas box.
Crafted by hand at a bindery in the heart of Italy, and stamped with a unique number, every copy is an instant classic, and an addition to your fashion library that is truly one-of-a-kind. Reprinted especially for the Akris Edition of 2,000 copies, designer Albert KriemlerÂ´s iconic â€œGrand Prixâ€ digital photo print was created for his Akris Spring/Summer collection 2012.
â€œIn the spirit of the devil-may-care elegance of John FrankenheimerÂ´s 1966 movie Grand Prixâ€ (Kriemler), the race cars whizzing by on silk crÃªpe found a suitable patroness: H.S.H. Princess CharlÃ¨ne of Monaco wore an Akris shift dress with the â€œGrand Prixâ€ print to the Formula One races in Monte Carlo.
About the Author
Valerie Steele is director and chief curator of the Museum at the Fashion Institute of Technology and founding editor of Fashion Theory. Described in The Washington Post as one of â€œfashionâ€™s brainiest womenâ€ and by Suzy Menkes as â€œthe Freud of fashion,â€ Steele combines serious scholarship (and a Yale Ph.D.) with a rare ability to communicate with general audiences. As author, curator, editor, and public intellectual, Steele has been instrumental in creating the modern field of fashion studies.
Among the world's most influential fashion critics, she is an officer of the Order of the British Empire as well as a chevalier of the "Legion d'Honneur." She lives and works in Paris.
A Cultural History Of Dress And Fashion
A Cultural History of Dress and Fashion presents an authoritative survey from ancient times to the present. This set of six volumes covers over 2,500 years of dress and fashion.
Volume 1: Antiquity (500BCE-800AD), edited by Mary Harlow
Volume 2: The Medieval Age (800-1450), edited by Sarah-Grace Heller
Volume 3: The Renaissance (1450-1650), edited by Elizabeth Currie
Volume 4: The Age of Enlightenment (1650-1800), edited by Peter McNeil
Volume 5: The Age of Empire (1800-1920), edited by Denise Amy Baxter
Volume 6: The Modern Age (1920-2000+), edited by Alexandra Palmer
Each volume discusses the same key themes in its chapters:
2. Production and Distribution
3. The Body
5. Gender and Sexuality
8. Visual Representations
9. Literary Representations
This structure means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume.
Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on dress and fashion through history.
Iceland - Modern Processes And Past Environments
Iceland provides an unique stage on which to study the natural environment, both past and present, and it is understanding both aspects of reconstructing the past and observing and interpreting the present that form the focus of the contributions to this volume.
The papers are all written by active researchers and incorporate both reviews and new data. Although concentrating largely on the recent Quaternary timescale a wide range of topics is explored including subglacial volcanism, onshore and offshore evidence for the Last Glacial Maximum and subsequent deglaciation, current glacial characteristics including jokulhlaups and glacial landsystems, soil development, Holocene ecosystem change, current oceanography, impacts of volcanic sulphur loading, chemical weathering and the CO2 budget and documentary evidence for historical climate.
The key element of the volume is that for the first time it provides a wide overview of a range of topics for which Iceland provides an almost unparalleled laboratory emphasizing the importance of research on this small island for studies over a much broader global scale. These reviews point the way to future research directions and are supplemented by extensive illustrations and a comprehensive bibliography.
* Wide range of related topics covered both from a present day and quaternary perspective
* Reviews from scientists active in each research area across a range of subjects providing both overviews and new data supplemented by an extensive bibliography
* Extensive illustrations and examples from the field
Markets In Fashion
Interest in contemporary cultural industries has grown in the past decade, as they take on a greater significance in our increasingly consumer-led society. Focusing on the world of fashion photography, this book presents an interdisciplinary approach in which this and other aesthetic markets, such as advertising, modelling, art, music and more, can be viewed.
The main thrust of this groundbreaking book, is in developing a theory for these cultural markets, characterized by insecurity, and where status and aesthetic diversity generate order and price differentiation. In these industries, services and products are offered that are a mix of the aesthetic and the economic, and for fashion photographers such as those studied here, it is necessary to carefully position themselves in the market by developing unique photographic styles and separating themselves from competitors.
Yet the markets in which these industries operate differ from the type of exchange markets depicted by neoclassical economists, and therefore cannot be considered using such modes of analysis. Instead Aspers conducts his study using empirical phenomenology, an original approach presented here for the first time, which can be easily used in other empirical studies. He draws on original empirical material; participant observation and interviews generated in New York and Stockholm; which bring a depth of analysis and a relevance to this book which academics, researchers and those with a vested interest in such industries will value.
Written by one of the world's brightest young economic sociologists, this fascinating book (previously published in Sweden and enthusiastically received) is endorsed by recognized industry authorities. A noteworthy book, it provides a foothold in the burgeoning sub discipline of economic sociology, and a significant analysis of the economics of the fashion photography industry.
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